Archive for November 11th, 2017

Time Has Come Today

It has been Known since the 1956 publication of the true-life non-fiction tome The Door Into Summer that Leonardo Da Vinci was a time traveler.

Therein we learn that he was born in the 20th Century as Leonard Vincent, and was employed as a drafting and architecture instructor at the University of Colorado at Boulder. There he became a willing subject of a colleague’s classified time-travel program, which propelled him some 500 years into the past. This was a primitive time machine, one that could only thrust people, places, and things into the past, or future, but not bring them back. And so Leonard Vincent permanently settled into the 15th Century, as Leonardo Da Vinci.

The reason Da Vinci then spent so much time and effort designing machines and other devices that would not come to fruition for hundreds of years is because he was earnestly attempting to accelerate development of Real Things he had known and experienced when Leonard Vincent in the 20th Century.

All of this is now common knowledge.

What is less well known, I guess maybe because I haven’t told anyone until now, is that Da Vinci’s contemporary and competitor, Michelangelo Buonarroti, was/is also a time traveler.

I figured this would become blazingly obvious to everyone when the enemies of the people on Thursday published an article on the Metropolitan Museum of Art’s show of 133 Michelangelo drawings, an article accompanied by a large reproduction of Michelangelo’s portrait of Australian thespian Cate Blanchett. (That portrait is also featured here, up above there.) I thought the humans would ask: how could the 15th Century Michelangelo, draw the 21st Century Cate Blanchett? And then arrive at the proper answer: because Michelangelo was/is a time traveler.

But, apparently the humans are not getting it. So, I am here to help.



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